Bard on the Beach
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History

Bard on the Beach Shakespeare Festival was established in 1990 with a mandate to provide Vancouver residents and tourists with affordable, accessible Shakespearean productions of the finest quality. The Festival began as an Equity Co-op, funded primarily by a Canada Council Explorations grant awarded to Artistic Director and Founder, Christopher Gaze. A fully professional, not-for-profit theatre company, Bard on the Beach now engages thirty actors each season as well as a team of exceptional directors, designers, and technicians; it is also supported by more than 200 volunteers. The productions consistently receive both critical and audience acclaim and repeatedly play to sold out houses.

The plays are staged in Vanier Park on Vancouver's waterfront, in open-ended tents against a spectacular backdrop of mountains, sea and sky. The Mainstage tent seats 520 patrons and offers two productions staged in repertory from end of May through September. The 240-seat Douglas Campbell Studio Stage was added in 1999 as a venue for the lesser-known plays in Shakespeare's canon or innovative stagings of his greater works. In addition to its Shakespeare productions, Bard offers many ancillary activities including opera concerts and specialty workshops and forums. The tented 'Bard Village' offers a range of patron services including concessions, bar and boutique.

Over the years Bard on the Beach attendance has grown significantly from 6,000 patrons in 1990 to more than 90,000 patrons in 2009. Its budget has increased from $35,000 that first season to $3.5 million in 2009. The programming has of course expanded from one play to four, and from 34 performances to 215 two decades later. In 2003, through a collaboration with Mission Hill Family Estate winery called 'Bard in the Vineyard', Bard on the Beach also presented a production in the Okanagan for the month of August.

Through its constantly expanding community outreach, Bard hosts the immensely popular Young Shakespeareans Summer Workshops for youth and teens on site during the summer, and Bard in the Classroom workshops for students and teachers during the school term. Artistic Director Christopher Gaze continually spreads enthusiasm for the magic of Shakespeare's plays through guest appearances at corporate, scholastic and private events.  


BARD ON THE BEACH CHRONOLOGY OF PERFORMANCES

Year
Plays
# Perf.
Attendance
1990
A Midsummer Night's Dream
34
6,000
 
1991
A Midsummer Night's Dream
47
10,800
As You Like It
 
1992
Twelfth Night
60
23,200
The Tempest
 
1993
The Taming of the Shrew
60
26,602
Romeo and Juliet
 
1994
The Merry Wives of Windsor
78
32,774
King Lear
 
1995
The Comedy of Errors
83
37,731
Hamlet
 
1996
Much Ado About Nothing
103
44,156
The Merchant of Venice
 
1997
Love's Labour's Lost
106
40,363
The Winter's Tale
 
1998
As You Like It
106
45,077
Richard III
 
1999
A Midsummer Night's Dream
129
58,470
Macbeth
Measure for Measure
 
2000
The Tempest
146
54,640
Henry IV, Part One
All's Well That Ends Well
 
2001
The Taming of the Shrew
153
65,369
Antony and Cleopatra
The Two Gentlemen of Verona
 
2002
Twelfth Night
158
66,357
Henry V
Cymbeline
 
2003
The Comedy of Errors
169
66,900
The Merchant of Venice
Pericles, Prince of Tyre
Shylock
Bard in the Vineyard:
A Midsummer Night's Dream
26
10,826
 
2004
Much Ado About Nothing
209
79,649
The Merry Wives of Windsor

Macbeth

 
2005
As You Like It
203
77, 670
Love's Labour's Lost
Hamlet
Rosencrantz & Guildenstern Are Dead by Tom Stoppard
 
2006
A Midsummer Night's Dream
205
80,443
Measure for Measure
The Winter's Tale
Troilus and Cressida
 
2007
The Taming of the Shrew
205
87,271
Romeo and Juliet
Julius Caesar
Timon of Athens
 
2008
Twelfth Night
213
87,125
King Lear
The Tempest
Titus Andronicus
 
2009
The Comedy of Errors
216
91,200+
Othello
All's Well That Ends Well
Richard II
 
History

Bard on the Beach site in 1990.